http://aaww.org/blank-spaces-esme-weijun-wang/

You framed David and Daisy’s relationship, too, with this undercurrent of the body. There are the various spoken languages you use, and there’s also this language of the body. There are scenes where they’re next to each other, and they’re not talking, and that’s something that they understand. I find it really interesting to think about how much of a relationship—any relationship, interracial or not—is dependent on wordlessness. Things that can be conveyed without speaking. This language that we tend to fall back on, talking all the time, wanting to discuss things, process things.